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Posts from the ‘electronic entertainment’ Category

Comics and the Digital Ecosystem

I thought this was a big hit?

Hey all – I’ve been working on a bold Blogfox experiment for this month, which I was hoping to roll out this week – but that’s been back-burnered for a few days… so I’ve given myself ten minutes to jot down a couple of things I *have* to get down regarding “ye olde funnybooks” before they become too dated: One is about the value of a “hit” in any media, and the other is how to really look at “profit margins” when comics publishers move into digital distribtuion. Napkin calculations ahoy! Read more

Adventures in Universe Building (aka The “My Little Pony” Posts): Part II – Allegorical and Campaign Universes

THE GHOST IS AN ALLEGORY FOR CONSUMERISM.

Now that I’ve, hopefully, made a passable argument that dynamic and varied story engines were not a strength of 1980s kids television – let’s look at a different, but related, aspect of those shows (and kind of the underlying point of this whole series of posts) – The Universes they were set in. Read more

Usage Based Billing – The Elephant in the Muddy Waters in the Middle Ground

Oh Wikimedia Commons, is there any topic you don't have the perfect image for?

I got an e-mail from a friend (on his way to a Useage Based Billing consultation) yesterday curious as to what my thoughts were on the whole thing. I haven’t written anything about it at length (other than the odd tweet, mostly because my position generally falls outside both of the established “camps”, and when I have talked about it I generally found the discussion quickly deteriorated to me being asked to defend “the other side” and tenants I didn’t actually agree with.

Actually my biggest problem with the “debate” so far is that the two sides usually distill down to the arguments that “UBB is necessary” vs. “UBB is bad” and given that those aren’t actually mutually exclusive positions it’s frustrating to try and even define what the core issues are.

But in yesterdays exchange, I realized that I do have some thoughts which are a different viewpoint from most of what I’ve been seeing written – so if nothing else it might provide a different angle for people to contextualize their own positions – whatever they may be. Read more

Waiting For The Floss

If you follow my twitter at all (bastion of such visionary insight as this) you know that I have nothing but the highest opinion for the Savage Critic himself Mr. Brian Hibbs. He’s one of the strongest writers about the realities of the direct market in comics, and is a true credit to all the hard working retailers out there who have really kept the comics market alive through the various recession periods (as Brian himself will point out the comics retailers, not the individual fans are the actual customers of the distributors since what they buy is largely nonreturnable).

I do want to write a bit of a counter-point to his latest post though – not because I wish him, or any retailer really, ill – but because it’d help clarify some thoughts I’ve had for a while about the state of digital distribution in comics. Read more

Net Neutrality – The “Build Out” Argument

the-internet-a-series-of-tubes

[Update – Excellent executive summary via a friend I was just talking to on the phone who is not terribly interested/versed in technology: “I get it, it makes more sense to just throw more tubes on the pile than paying engineers to constantly crawl through each one trying to figure out what’s in there.”]

I’ll be going off to Ottawa at the end of next week to offer the CFTPA whatever help I can for their “Net Neutrality” presentation to the CRTC on the 8th (incidentally it’s nice to see that the CFTPA’s position on throttling and neutrality is actually getting some appreciative notice from sectors that, incorrectly, seem to automatically assume that content producers are “the enemy”).

One of the major arguments of the CFTPA’s initial filing to the CRTC is that if solving network congestion is truly the primary concern of ISP’s, increasing network capacity is the only way to do so without stifling consumer choice, competition, and tying an anchor to the creative sector. As I’ve said many times before – the moment that ISP’s get the green light to *evaluate* content (instead of just transporting it) you will make them the sole gatekeepers of how (and what) content will be transported to their end-users. Even if they didn’t misuse that power (and given that both Rogers and Bell have significant digital content-delivery interests – I’m not sure how they could, in good faith to their shareholders, not push the envelope as far as possible) content creators, distributors, and the public would never again know where they stand, and the viability of an entire future of independent content distribution would be lost (or at the very least imperilled).

Aside from that gigantic point, I’m becoming increasingly aware of an equally compelling argument that over-provisioning (increasing network capacity beyond immediate demand) is the more cost-effective solution to network capacity issues as well. David Isenberg has written a very nice post on the “cost” of Net Neutrality which does all of the heavy lifting for this line of thought – I’ll just update it with a couple of numbers for an example.

If we take the Sandvine Internet Traffic Trends Report from October at face value (and I’d point out that as a manufacturer of “traffic optimization” technology they have an extremely large dog in the hunt) up to 22% of current global Internet traffic is due to P2P applications (I’m ignoring their claim about “upstream” traffic – as the differentiation is a sticky wicket for a future day – especially when network traffic is so asynchronous. Given that upstream for end users (who are where Sandvines numbers come from) is usually ~1/5-1/20 that of downstream – a weighted *total* composition of P2P traffic would still be, at maximum, ~20-25%).

So let’s correlate the Sandvine report with CISCO’s 2008-2013 Networking Forecast – which projects that Global IP traffic will quintuple in the next five years. This gives us an interesting forecast.

Presuming that the ISP’s are truly concerned and that their networks are at capacity, with P2P traffic threatening to “tip the balance” as it were, QoS/throttling/deep packet inspection actually would have no impact at all on the eventual outcome. Even if QoS technology could reduce the impact of P2P on the network to ZERO – you would still have at least 300-400% of current demand in the next five years (or an amount equal to 12-16x the entire current amount of P2P traffic). So increasing network capacity is inevitable, regardless.

Now if we go back to David Isenberg’s post, and take into account his very clear arguments on why increasing capacity is actually cheaper than QoS approaches (the brush strokes is that the cost of engineer time to implement the latter (as well as inevitable error, adjustment, monitoring, upgrade) is constant – while additional capacity costs decrease with volume.

So even if you could make an argument that QoS is a more cost-effective approach than increasing capcity at this frozen minute in time – ISP’s are faced with the reality of having to increase capacity by as much as a factor of four to maintain current service levels anyway over the next five years. The question then becomes is it a more logical approach to mix the more-expensive QoS monitoring with the capacity that is going to be otherwise required – or just tack on some additional over-provisioning?

It’s outside of my area of expertise, but I’d be very curious for a projection of how QoS approach costs scale with throughput growth.

So if the effect of P2P traffic on the reality of the short-term Internet is, at best, nominal to the broader issue of global traffic growth (and the CISCO report has some great projections about the volume of video content set to start to use the ‘net as a transport mechanisim which dwarf the current impact of, say, BitTorrent) then what benefit does throttling give ISP’s? Well, other than a very expensive “foot in the door” for when the next “threat to network capacity” comes along. Say, iTunes. Or Skype.

Just in case you’ve been in a cave

What, too subtle?

What, too subtle?

The big IP story in Canada this week has been the Conference Board of Canada publishing a report on the “Digital Economy” which read a lot like propaganda (from the US lobbyist “International Intellectual Property Alliance”, specifically). A little legwork by Michael Geist turned up the fact that it not only looked identical to US lobbyist propaganda, but ill-informed US lobbyist propaganda at that. It also turns out it’s ill-informed US lobbyist propaganda that the Canadian government paid top-dollar for. Lo and behold, it was indeed plagiarized ill-informed, US lobbyist propaganda.

Really this whole thing has been the Michael Geist show… so skip the middle man and enjoy the glorious shadenfreude directly. I don’t always agree with Mr. Geist, but I’ll toast a glass to his efforts tonight.

Snake ‘n Bacon. Snake ‘n Bacon! SNAKE ‘N BACON!

One's tasty crumbled in a salad. The other's a snake. <br /> © Michael Kuppenberg

One's tasty crumbled in a salad. The other's a snake.
© Michael Kuppenberg

Attention U.S. based followers of this blog. Immediately stop what you’re doing and go on over to the AdultSwim website where you can now view the pilot for Snake ‘n Bacon adapted from the many works featuring Michael Kupperman’s celebrity duo.

“But Brad” you ask, “as a Canadian who is blocked from receiving AdultSwim programming, or even the very website you’ve linked to, how can you recommend said pilot sight unseen?” This is a reasonable question. Feel free to assume I am either extremely irresponsible with my reccomendations… or I have… “sources”.

Seriously, while I was a little unsure off the top (I’m one of those purists who doesn’t normally care for Williams Street’s house style when it comes to live-action) the pilot soon barrels headlong into familiar “Tales Designed to Thrizzle” territory with some great sequences and some old Kuppenberg friends come to life. It’s worth the (non existant) price of admission for the stylistic approach to the “Fruit of the Month Club… man” alone.

Unlike most animation adaptations, some aspects of Kupperberg’s style are even vastly improved by the transition to animation, and addition of voicework. While that’s normally a stumbling block for many animation adaptations – segments like “The Head”, or “Bullfrog” are significantly more vibrant with the spot-on vocalizations. Plus, Kupperman appears to have drawn all the animation segments himself – so it never feels like it’s not his work or “off reference”.

Why are you even still reading this? It’s short, great fun, and I can almost guarantee there’s one segment in it you’ll laugh at. You should be over there, clicking “rate this 10” and pressuring AdultSwim to turn this into a series that’s available on DVD so I can legally purchase it.

Come ON it’s got Snake AND Bacon in it. That’s like the “Oceans 11” of zoology and pork!

Do it right, or don’t do it at all (Associated Press, I’m looking at YOU)

Maybe the AP didn't save enough money on their car insurance.

Sorry – it’s been a busy week, but this one was too good to pass up. I got an invitation to internet-eavesdrop on a marketing conference presentation a few weeks ago that quickly devolved into “social media for corporate marketers”. The content wasn’t all that compelling (to be fair the presenters did a great job of re-tooling their session on the fly – clearly scrapping their prepared topics to cope with an audience that was less internet-savy than they’d expected). While most of the content afterwards wasn’t terribly interesting (what is “Twitter”? Should we be on “Twitter”? Why are our competitors on “Twitter”? How is “Twitter” different than “Myspace”… etc) they did do a good job of trying to hammer home the following key points:

  1. Being a social-media aware company does not mean you have to involve yourself in all aspects of social media.
  2. If you are going to work in the social media space you need to make sure your organization clearly understands what you are doing and why.
  3. You can not just pump press-releases out over social media outlets and expect positive results – you have to create compelling content for your target audience
  4. Badly implementing a social media presence is worse than not having one

A prime example of how points 2 and 4 can backfire is this latest story about how the Associated Press doesn’t seem to understand how it’s own YouTube channel works. I kind-of-sort-of commented on this particular post of Ricky Gervais and Elmo outtakes how bizarre it was that the Associated Press (a company known for sabre-rattling threats to on-line sites like Google (while at the same time accepting money from Google as a news content provider) had, of all things, a YouTube channel.

Clearly I’m not the only one whose head was blown by this dichotomy. The coles-notes version of the story is that Frank Strovel, an employee of Texas country radio station WTNQ ended up in a surreal discussion with the AP after he recieved a cease and desist letter for embedding AP YouTube content on the station’s website. The AP rep seemed flummoxed that such a channel existed, that embedding was clearly allowed and encouraged by the channel (it’s trivial to disable embedding codes with YouTube if the content provider wishes), and even that WTNQ was a AP affiliate to begin with.

Strovel: And we’re an A.P. affiliate for crying out loud! I stumped him on that one. . . . What is really shocking is that they were shocked that they’ve got a YouTube channel that people are embedding on their Websites. He seemed shocked by that. ‘Oh, I am going to have to look into that” is what he told me.

So here we have a textbook example of how not having the whole company in the loop is problematic. While the AP’s social media channel was generating legitimate goodwill (that Elmo/Gervais video was great, and lead to me alone having tonnes of “Wow, the AP’s starting to get the hang of what works on the internet” conversations) – they now have this – a rapidly mounting amount of mainstream press about how they clearly don’t have the foggiest clue what they’re doing. Not to mention slashdot, CNet and of course YouTube itself chiming in. Any building goodwill is forgotten and, again, the AP looks like an anacronysm desperately trying to protect a business model that has been outdated for much of the decade. They would have been better off having done nothing in the first place (not that would have changed the business model reality).

Take a lesson from your mothers people – any job worth doing, has to be done right… otherwise you can come off looking mighty silly. Especially in the social/new media space where reputation is the only currency of any import.